The prompt for this month’s Teens Can Write, Too! blog chain is:
“How does music relate to your writing?”
Music is such a big thing for me. These days I pretty much always write to movie scores, because they help get (and keep) me in the mindset to work, and they can be great for getting me in the mood for writing certain things. (So like if I need to write something sad, you know what’s wonderful for that? HARRY POTTER AND THE DEATHLY HALLOWS – PART 2.) My favorite composer is Hans Zimmer, but I also listen to a lot of scores from James Horner and James Newton Howard.
I’ve posted before about how when I work on a novel, I generally end up with a single score that I listen to nonstop while writing (check that post out here), but there are also a lot of scores I listen to that aren’t connected to a specific novel.
They’re all great for their own reasons, so I figured I’d share some of them today.
The Theory of Everything by Johann Johannsson
This is one of the two movie scores I’m currently obsessed with. The entire score is beautiful, but I’m especially in love with the opening song here. I love how playful and almost desperately hopeful it is, and the way the music feels like it, I don’t know, blossoms. I especially love how listening to it reminds me of how being at Oxford felt (which makes sense, since it’s about Cambridge).
Interstellar by Hans Zimmer
This is the other score I’m currently obsessed with. I wasn’t a huge fan of it the first time I saw Interstellar, but after the second time it got stuck in my head and now I can’t stop listening to it. This track (“Stay”) is especially good. It makes me want to write desperate, scared, hopeful things.
The Amazing Spider-Man by James Horner
I mainly love this score because it sounds so similar to my favorite of James Horner’s scores, Titanic. I wrote the novel I’ve been working on the past few years to Titanic, and have kept listening to it during the billions of rounds of revisions since, so it’s nice to have another score to fall back on that’s still similar but also different.
The Dark Knight (Rises) by Hans Zimmer (and James Newton Howard)
So really just all the music from the Dark Knight trilogy is fantastic. Hans Zimmer and James Newton Howard collaborated in composing for the first two films, then Zimmer did the last one alone. These scores are great for really intense stuff, especially action sequences.
“Aurora” by Hans Zimmer
Not an actual film score, but so heartbreaking and haunting. Zimmer wrote this after the movie theater shooting in Aurora, Colorado opening night of The Dark Knight Rises, with proceeds going to the victims’ families, and it incorporates motifs from the Dark Knight trilogy.
The Hunger Games Series by James Newton Howard
I’m honestly not a huge fan of a lot of these scores. I thought the first was excellent, then it’s been downhill from there. But each movie does have some really great parts, especially when the arena collapses at the end of Catching Fire. These scores are wonderful for emotional, action-y stuff.
The Chronicles of Narnia Series by Harry Gregson-Williams
These were the scores that first got me into listening to scores. Gregson-Williams’s work on Narnia is absolutely gorgeous. Light when need be, heavy and pounding in the battle sequences. I used to listen to these on long car rides heading up north to ski, notebook open across my lap and farm fields frozen and sparkling beyond the windows.
The Lord of the Rings Trilogy by Howard Shore
I don’t actually write to The Lord of the Rings scores that much, but these are AMAZING for homework. It makes writing papers feel like going on adventures.
Do you like to write to music? What kinds? Do you have any favorite movie scores to recommend?
Like this blog chain topic? Check out the rest of the posts throughout the month.
14th – http://kirabudge.weebly.com/
28th – https://teenscanwritetoo.wordpress.com/ (We’ll announce the topic for next month’s chain.)